Mid-side (M/S) processing may not be the most popular style of processing when it comes to stereophonic audio, but it’s certainly effective in some situations. Combine this fact with the power of equalization, and it makes perfect sense that mid-side EQs would exist in the realm of audio technology. In this article, we’ll describe mid-side…
Auxes, buses, sends, returns, VCAs, groups, subgroups, and many more terms make up the wide lexicon of audio technology. When learning about music and audio production, the glossary of terms can be overwhelming, and what’s worse is that many terms are used interchangeably. Let’s consider these related terms and their definitions to help you keep…
Dynamic range compression is easily one of the most important audio effects/processes. The threshold control of a compressor is a key parameter in how the compressor will process audio signals. In this article, we’ll discuss the threshold control of compressors in greater detail to help you to better understand and use compression in your audio…
When studying and practicing music production or audio engineering, you will definitely come across high-pass filters. High-pass filters are powerful tools that are used in equalization and in general audio design. In this article, we’ll have a detailed look at high-pass filters, covering how they work, how they’re designed and how they’re used, not only…
Dynamic range compression (known simply as “compression”) is one of the most important tools when it comes to audio mixing. By compressing the dynamic range, we can effectively “glue” a mix together; add weight to audio signals; increase the sustain of musical notes, and much more. In this complete guide to audio compression, we’ll be…
De-essers are indispensable tools in the realm of vocal production. They help in achieving a balanced and professional mix by controlling harsh sibilance. Whether you’re a seasoned producer or just starting, incorporating a de-esser into your vocal processing chain is essential for producing clear, polished vocal tracks. If you’re wondering what a de-esser is (in…
Stereo width is a staple in modern, professional mixes. However, there’s a fine line when it comes to width in the mix. It’s certainly not the only strategy, and may not even be the best strategy for you. However, I think it’s worth examining, and in this article, we’ll do just that. If you prefer…
Inserts are important parts of mixers that are sometimes taken for granted in modern digital audio workstations. If you’re unsure of what mixer inserts are or you want to gather more information on inserts and their importance in audio engineering, you’ve come to the right place! In this article, we’ll discuss inserts in more detail…
Compression and limiting are two critically important and somewhat similar processes in the trade of audio engineering. Understanding the difference between the two will help us choose the proper tools for various tasks in audio mixing. In this article, we’ll discuss the differences and similarities between two of the most important signal processes in audio:…
Mixing music is a creative art form, and while sometimes creativity is stifled by over-organization, I strongly believe that following a consistent workflow will allow us even more opportunities to be creative in our mixing endeavours. Download the guidebook and let’s get into this article to go over the broad steps of the mixing process….
Mono and stereo are the two most popular formats for audio files and signals. It’s worth learning how to tell the difference for compatibility issues between audio devices and audio recording and playback. In this article, we’ll discuss each of these four methods to understand better how to find out whether an audio signal is…
The Haas/precedence effect is an effective psychoacoustic phenomenon that we can simulate for a greater sense of space in our mixes. If you’re interested in learning more about it and how to take full advantage, you’ve come to the right place. In this article, we’ll discuss the Haas/precedence effect in more detail and investigate how…
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